
Jules Verne's 'Around the Moon' — Passengers Weightless in the Projectile, c.1870
An 1870s French reader encountering this engraving would feel the uncanny thrill of science made visceral — three men and a dog suspended in helpless, dreamlike weightlessness inside their lunar projectile, bodies sprawled and limbs akimbo against a map labeled 'LA LUNE.' Émile-Antoine Bayard's masterful cross-hatching renders the impossible as domestic and absurd, giving Verne's theoretical zero-gravity a darkly comic humanity. The dog's bewildered alertness grounds the scene in warm reality against the cold void implied beyond the porthole-like window.
This belongs in a museum — it is a foundational artifact of science fiction visual culture, restrained and classically engraved rather than lurid or sensational. Its power lies in quiet scientific wonder, not pulp spectacle.
“LA LUNE”





